Selected Art Criticism — Joanna Fiduccia

Joanna Fiduccia

Joanna Fiduccia

Selected Art Criticism

“The Standing Committee: Jimmie Durham at the Hammer and the CATPC at the Sculpture Center,” Even, no. 7 (Summer 2017).

“Henri Matisse: The Carnal Formula,” Spike Art Quarterly, No. 43 (Spring 2015): 82–87.

“Portrait: Laura Owens,” Spike Art Quarterly, No. 41 (Autumn 2014): 88–99.

“Thy Fearful Dissymmetry: Tauba Auerbach,” Parkett. No. 94 (2014): 79–91.

“On Getting Up and Giving Up: On Kawara and the Case of the Lost Luggage,” Spike Art Quarterly, No. 42 (Winter 2014): 56–67.

“Labyrinthitis,” Night Papers, special issue on Import/Export. Winter 2014: 1, 5.

“All Together Now,” Spike Art Quarterly, No. 34 (Winter 2013): 36–43.

“Heavy Painting: Profile on Nicole Eisenman,” Spike Art Quarterly, No. 33 (Fall 2012): 76–85.

“Odd Couple: Yves Klein and Ed Kienholz’s Unlikely Affinities,” East of Borneo, Summer 2011.

“Haegue Yang,” Kaleidoscope, Vol. 1, Issue 10 (Spring 2011).

"Kelly Nipper: Composing Moments," MAP - Journeys in Contemporary Art #23, pp. 68-73.